Good morning...
Aug. 10th, 2007 11:06 am![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png){kind=small}
jack_babalonTwo from Amon Tobin.
The first one is a personal favorite of mine, "El-Wraith" off Out From Out Where. A lone Spanish guitar emerges out of a science fiction soundtrack and segues into a creepy bass crawl that always reminds me of robot monsters crawling out of the sand. I tend to think of this track as the shadow of Delerium's classic Silence... if songs could cast shadows I guess. The video itself is an amazing piece of stop motion animation depicting visions from a mysterious Chronopolis ruled by what looks like golem pharaohs of some kind.
Next up is "Keep Your Distance" from his latest album Foley Room. A delightfully sinister track made all the better by some clever video editing from the opening of the proto-rivethead cult classic Hardware. A movie that profoundly influenced my sense of aesthetics for over a decade (when I began working for my friend at his fetish club over at 688 I always had this movie in the back of my head). To this day I still wish I had the whole cowboy duster/gas mask get up so I could dress like an apocalyptic gunslinger or a member of Fields of the Nephilim.
But I digress. On with the video...
The first one is a personal favorite of mine, "El-Wraith" off Out From Out Where. A lone Spanish guitar emerges out of a science fiction soundtrack and segues into a creepy bass crawl that always reminds me of robot monsters crawling out of the sand. I tend to think of this track as the shadow of Delerium's classic Silence... if songs could cast shadows I guess. The video itself is an amazing piece of stop motion animation depicting visions from a mysterious Chronopolis ruled by what looks like golem pharaohs of some kind.
Next up is "Keep Your Distance" from his latest album Foley Room. A delightfully sinister track made all the better by some clever video editing from the opening of the proto-rivethead cult classic Hardware. A movie that profoundly influenced my sense of aesthetics for over a decade (when I began working for my friend at his fetish club over at 688 I always had this movie in the back of my head). To this day I still wish I had the whole cowboy duster/gas mask get up so I could dress like an apocalyptic gunslinger or a member of Fields of the Nephilim.
But I digress. On with the video...
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Hardware
on 2007-08-10 08:58 pm (UTC)Lemmy was in part paid in whiskey for his role.
Carl McCoy was probly paid in a quantity of souls from dead orphans.
Some links you might enjoy
http://profile.myspace.com/index.cfm?fuseaction=user.viewprofile&friendid=21752423
http://profile.myspace.com/index.cfm?fuseaction=user.viewprofile&friendid=60005911